
| The Birthday Massacre- written by Stephanie |


| Local Opening Acts: Funeral March for a Marionette, Basic Accomplishment As the tickets stated that doors would open at 6:30pm, Red and I arrived at 7pm because nothing ever starts on time. We were right. If it hadn’t been so frigid cold, we would have stood outside smoking more, but, as it was, we spent most of the time sitting and chatting amongst ourselves. Finally, at 7:50pm, the first local opener stepped up to the mic on stage and, while apologizing profusely for the delay, announced that they were now ready to play. I couldn’t tell just from looking at them what kind of music to expect. The vocalist was dressed in darling emo fashion (down to the haircut), while the guitarists looked like they had stepped off a 1980’s back issue of Metal Sludge, and the other band members didn’t fit into either of those categories. I don’t think I was the only one in the audience who was confused at that point, especially when the vocalist muttered something into the mic that I assume was a song title, and with the first hit of a cymbal, tilted his head back and let out a loud, death-metal-ish, growling howl. The small crowd of people attending looked at each other with confused, wide eyes: “Was this really coming out of Emo-boy?” The first three songs he mumbled an apology before mumbling the song title. We asked around and no one knew the name of the band, we yelled out in between songs “WHO ARE YOU?” and didn’t receive an answer until the introduction of the third song. Rule number one, kids, especially if you are a local opener you might want to make sure that your audience knows who the hell you are. Funeral March for a Marionette played for about 20 minutes. All in all the music wasn’t half-bad. They performed quite tighter than expected for a local band, but there was something ‘off’ about their style. I haven’t been able to quite place if the vocals were a bit heavier than the music, or if it was the lack of continuity between the member’s appearances, but the whole ensemble just seemed out of order. After their set, it was time for a quick cigarette as the next band loaded in. We talked amongst other smokers for their opinions. One person said, “There were like… three times during one particular song that I kept thinking it was over, but then they just kept playing. It was like the whole set was one song.” Another person commented, “It was like the vocalist of Porno For Pyros trying to sing Morbid Angel.” It was pretty obvious that we weren’t the only ones who weren’t impressed. The next band to perform was a three-piece who called themselves Basic Accomplishment. Now, I actually enjoy most emo-pop- punk, but this was really not the place for this group to perform, considering they were just following a band with a more metal themed style. With that being said, I am sad to say that I actually got up and left during the third song by Schoolyard Heroes. I absolutely could not take it anymore and a cigarette became more than top priority at that point. But I certainly was not alone in this venture as soon the outside of the building held what was possibly more than the head count inside. I don’t know how to describe this performance. I am truly at a loss. Perhaps the best way I could sum it up is, imagine Yoko Ono screeching along to Slipknot-esque metal and then randomly breaking out into operatic breakdowns in places of the song where you weren’t even anticipating a breakdown. Absolutely awful. So we stood outside smoking and bitching, only to greet the taxi that was delivering the member’s of The Birthday Massacre. We were glad to see them and, really, relieved that they showed up because they were our only hope for saving the night. We grabbed Rainbow first, chatted him up a bit, and then introduced him to Damian. He was more than happy to pose with him and I believe the feeling was mutual. The Birthday Massacre went on stage at 10pm after the longest 3 hours of my life, but to say it was worth it would be a complete understatement. I went into this show liking a couple of their songs and thinking they were an ‘alright’ band. I came out of this show completely enthralled and wanting to see their live show again and again. THEIR CD’S DO NOT DO THEM JUSTICE. They were absolutely incredible live. Chibi’s vocals were clear, in time, on key, and just brilliant. The band played in perfect unison and were positively mesmerizing. I could not believe that this was the same band I had just heard on CD in the car a few hours earlier. Chibi would take a minute or so between songs to chat with the crowd and it was great to get a taste of her personality. At one point during the set, there was a technical issue with the drums. Rhim hopped off the kit and did some adjusting as Chibi asked, fully concerned, “Is everything ok?” Rhim gave her a great big hug and Chibi cooed into the mic, while petting him, “Aww everything will be ok.” At that moment O-en wanted in and he ran over to embrace them both. She continued to coo “Aw see? Everything’s ok” while suddenly other band members started running around hugging each other. We were laughing our asses off as Chibi tapped her mic and announced, “Ok focus people. Focusss…” It was really entertaining and the crowd loved every minute of it, totally bonding with the band and cheering as the boys got in one last hug before running back to their respective places. I can’t wait to catch another performance and neither should you. If you see The Birthday Massacre coming to your hometown run, don’t walk, to get your tickets. Even if every opening band sucks, The Birthday Massacre make any show a five star concert. |

